Special Semi-Hollow

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Special semi hollow 2025 black gold wraparound burst hero a
Special semi hollow 2025 black gold wraparound burst hero b
Special semi hollow 2025 black gold wraparound burst hero c
Special semi hollow 2025 black gold wraparound burst hero d
Special semi hollow 2025 black gold wraparound burst hero e
Special semi hollow 2025 black gold wraparound burst hero f
Special semi hollow 2025 black gold wraparound burst hero g

Explore Your Sound

The PRS Special Semi-Hollow offers players a versatile hum/”single”/hum configuration with two PRS McCarty III humbuckers and a PRS Narrowfield middle pickup.

McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. PRS Narrowfield pickup in the middle position delivers the bite of a single coil, so it cuts through the mix with plenty of clarity and punch – but without the hum.

Paired with a 5-way blade switch and two mini-toggles that tap the McCarty III humbuckers, this guitar can handle myriad sounds and styles (with twelve pickup combinations in total). Roll back the tone control for added growl, turn it up for some shimmer, and have fun exploring this versatile tonal palette. The volume level between the humbucking and single-coil settings remains very even, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.

Additional specifications on the PRS Special Semi-Hollow include a maple top, mahogany back, 22-fret 25” scale length mahogany neck, rosewood fretboard, Phase III locking tuners with wing buttons, and the PRS Gen III patented tremolo.

Featured Specifications

Specifications

Body
Body Construction Semi-Hollow Body with Single F-Hole
Top Wood Maple
Back Wood Mahogany
Top Carve Violin
Neck
Number of Frets 22
Scale Length 25"
Neck Wood Mahogany
Neck Construction One-Piece
Truss Rod PRS Double-Acting
Neck Shape Pattern
Neck Depth at the 1/2 Fret 7/8"
Neck Depth at the 12 1/2 Fret 61/64"
Neck Width at the Nut 1 11/16"
Neck Width at the Body 2 1/4"
Fretboard Wood Rosewood
Fretboard Radius 10"
Fretboard Inlay Birds
Headstock Logo Signature, Inlaid
Neck/Body Assembly
Neck/Body Assembly Type Set
Finish
Finish Type High-Gloss Nitro
Hardware
Bridge PRS Patented Tremolo, Gen III
Tuners PRS Phase III Locking Tuners with Wing Buttons
Hardware Type Nickel
Nut PRS
Truss Rod Cover "Special"
Electronics
Treble Pickup McCarty III
Middle Pickup PRS Narrowfield®
Bass Pickup McCarty III
Controls Volume and Tone Controls with 5-Way Blade Pickup Switch and Two Mini-Toggle Coil-Tap Switches
Additional Info
Strings PRS Signature 10-46
Tuning Standard (6 String): E, A, D, G, B, E
Case Hardshell Case
Options 10 Top and Back with Hybrid Hardware

Controls

Infographic showing switching positions for Special Semi-Hollow

Special Semi-Hollow - Controls Description

5-way blade pickup switch

Position 1 (down) - treble pickup

Position 2 - treble and middle pickups

Position 3 - treble & bass pickup

Position 4 - middle and bass pickups

Position 5 (up) - bass pickup

Mini-toggle switches

Down - humbucker mode

Up - single coil mode

Colors

Antique White Top (Opaque Top with Natural Back)

Antique White Top (Opaque Top with Natural Back)

Aurora Borealis

Aurora Borealis

Black Top (Opaque Top with Natural Back)

Black Top (Opaque Top with Natural Back)

Black Gold

Black Gold

Black Gold Wraparound Burst

Black Gold Wraparound Burst

Carroll Blue

Carroll Blue

Charcoal

Charcoal

Charcoal Burst

Charcoal Burst

Cobalt Smokeburst

Cobalt Smokeburst

Dark Cherry Sunburst

Dark Cherry Sunburst

Faded Whale Blue

Faded Whale Blue

Fire Smokeburst

Fire Smokeburst

Gray Black

Gray Black

Purple Mist

Purple Mist

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Accolades

“It has a resonant acoustic sound, and the pickups do a fine job of capturing that airy character at all volume levels, particularly when the guitar is up loud enough to enjoy the singing, edge-of-feedback sustain that semi-hollows do so well.”

- Guitar Player

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